You Guys, The Sleep-ins Are Doing Some Stuff

sleep-ins06Notoriously lazy bastards The Sleep-ins must have put down their bongs, because we hear they’re playing some shows this Summer AND recording a new record (frealz!)!! It’s like Christmas and St. Patrick’s Day* all rolled into one.

They do have some explaining to do, because it’s known that they are still spread amongst three continents. They don’t even talk to one another, they just exchange cryptic messages on MySpace, using Tom as an intermediary. Because who would think to look there?

Anyway this is certainly good news for John McCain (but even better news for Bernie Sanders, whom The Sleep-ins have informed us they wholeheartedly endorse. Even though two of them can’t vote in America. It doesn’t matter, because everyone knows that celebrity endorsements are what win elections). The band starting the recording now means it could be done before the decade is out. It really is the best we can hope for. BUT, live shows are booked in the U. S. of A. (frealz!), so you will get to see them this Summer.

*Never, ever, mention St. Patrick’s Day to the Sleep-ins

The Sleep-ins: Soft, loud, Rockin’ and Proud.

[originally published on Americana-UK – 8 January 2011]

by John Aird

Kick-out the jams with a beeping keyboard hook and then kick-in the power with a brace of heavy bass lines and churning guitar riffing, mix in half buried half surfaced lyrics about a girl who comes from the sky and a birthday trip to Roswell and you surely have a college radio classic in “Silver State”. You could dance to this at the Indy Disco. Probably. You could certainly bounce around in a pretty aggressive way to “Angelina” , and I fully believe that “Chrome Skull Cap & Matching Codpiece” will have you strutting and sneering as your (late period) Alice Cooper emerges from the recessed shadows of your personality.

And if you’re starting to worry that this album is just moving further into hard rock territory with each progressive song then everything gets wound back in “Running Out Here” which features a breathless indistinct vocal filtered over melodic lead guitar lines. The foot stomping opening chunky guitar chords of “Tonya, Extraplanetary Spaceship Girl” may be just a little close to London Calling, but better that than aping say Franz Ferdinand’s overly artful take on dominant guitar chord progressions. “Desert Song” sees an unexpected break out of gentle, restrained guitar and lightly blended vocals proffering the hippy advice – “Be what you want to/feel what you ought to/…./follow the sky back home…to me/”. And if “Desert Song” is the gentler side of The Sleep-ins then “Astro-not” is a rapid revival of their more typical heavy rock riffage that is over so quickly that you hardly realise it began. So it acts almost as an introduction to the final song “Bugs on my Face” which is a full on return to the catchy loud hook heavy style, drums to the fore, that opened the album out and which improves with every listen as you revel in the walls of deafening sound and the almost silent crevices which appear from time to time in this mighty edifice of rock. But, hey I should say that, “Silver State” aside, it didn’t really grab me at first. Give it a few plays though and the structures become right, the blend is spot on and although it could have been made any time in the last thirty years it’s none the worse for that. MC5, Stooges…that’s the lineage – whatever their press release thinks.